Showing posts with label contemporary craft. Show all posts
Showing posts with label contemporary craft. Show all posts

Monday, 11 October 2021

Not exactly plain sailing...

 

Joseph Sempill ( Irish, active 1867-1874), Public domain, via Wikimedia Commons

In May 2021, the North West Craft Network took some time to explore the opportunities and the difficulties that the pandemic has presented to us, and examined what we thought our priorities should be for the next year or so. We're just wrapping up our work on our priorities, but in a nutshell they will be: Wellbeing and the value of craft; diversity and inclusion and maker support. More on that soon, but in the meantime, here’s a summary of what we felt was pushing us forward, what has potential, and what is holding us back…

Pushing us forward

While the pandemic had brought great turbulence, problems, and hardship, it has also brought an opportunity to think about doing things differently and a push to accelerate change. Makers and organisations have tried new platforms and been forced to find funding – all of which are experiences that can be built upon. Forced to look for stay at home activities that are nourishing, social and accessible, people have rediscovered the value of everyday making and creativity in unprecedented levels.

Within the North West Craft Network, we have a wide range of fantastic organisations working together. Access to a group of people outside of our small teams has expanded the possibility to access other ways of doing and thinking about things by providing a diversity of perspectives. Within that network, not only do we have a wealth of collective skills, knowledge, and expertise, but members are passionate about craft and making and about how their organisations support it along with goodwill and willingness to share.

Areas of potential

The increased public engagement with craft and perceived value of creativity by both public and professional together has been brought into sharp focus by the pandemic. Together with a weariness in throwaway consumerism in the young, this is something that the craft sector can respond to and build upon. The pandemic has given us a unique opportunity to make a new normal.

Holding us back

Despite the things pushing us forward and the potential for growth, there are hard realities such as reduced funding and increased competition for the funding that there is. Everyone is short of time and resources and has to balance their organisation’s priorities with that of the craft sector nationally and regionally. We are not diverse enough either in our network or in the wider sector, and there is sometimes a lack of clarity over what it is we are trying to achieve, leading to a feeling of there being too much talking and not enough doing.

Within the wider context, we are facing a recession and ongoing economic hardship that will impact on us all. And while there are many creative graduates, they are not exploring craft as a career. We need to attract more and work out how to support them. Alongside this there is an emerging tension between hobbyist and professional approaches to craft, between the democracy of making on the one hand and the perceived elitism and exclusivity of professional craft on the other.

 

Thursday, 26 March 2020

Covid-19 Craft Sector Support and Information

Many organisations, nationally and locally, are doing what they can to support makers. Here are a few and we'll update this as more information comes through. [Updated August 12 2020]

Crafts Council In order to support our craft community at this time Crafts Council have created a page on the website with the most useful advice and resources as well as regular updates as and when they happen https://www.craftscouncil.org.uk/stories/information-craft-businesses-during-covid-19-pandemic
 

Creative Lancashire Information and links to support the creative sector

The National Council for Voluntary Organisations (NCVO) have temporarily made all of their member-only resources free to everyone -  information covers topics ranging from governance to safeguarding, funding to campaigns.
https://knowhow.ncvo.org.uk/site-homepage#

Arts Council England have resumed their Project Grants and because of the circumstances during this period, are particularly keen to support:

• applications from individual creative practitioners (including time to think and plan)

• research and development activity

• organisational development activity

• live activity that can be safely delivered within this period (rather than activity with a start date far in the future)

• activity that closely aligns with ACE Equality Objectives

A new Economic Regional Development Fund (ERDF) is about to launch (End of August) to Support SME restart and recovery. Delivered via local Growth Hubs https://www.lepnetwork.net/local-growth-hub-contacts/


Friday, 17 January 2020

What we're working on in 2020


Intelligence exchange
  • There has been a lively exchange of research, inspiration and information. Exhibition invitations have been shared to attend various events including (by no means exhaustive) various exhibitions and events for The British Textile Biennial, The Great Northern Contemporary Craft Fair, The Bluecoat Display Centre JÖL Exhibition, Gordon Baldwin and Matthew Harris exhib, Marketplace Studio events, Great Northern Graduates at Manchester Craft and Design Centre, Halima Cassell at Manchester Art Gallery. Plus invitations to the Textile and Place Conference 2020 hosted by Manchester School of Art  

Sharing members’ expertise and good practice
  • Three specialists in Craft and Wellbeing shared skills and information at September meeting, following on from last year’s successful input on Audience Development. We will be planning future inputs at our next meeting in March 2020. 
  • Jacqui Wood of ARC (Arts in the Community, Stockport) and Donna Claypool of University of Bolton plan to meet about the possibility of ARC doing a presentation or even developing a mini-module on socially engaged art. 
  • Great Northern Contemporary Craft Fair is working with Manchester Craft and Design Centre to present makers from the Great Northern Graduates section of the Fair. They are looking into whether this could be a longer term arrangement. 
  • Alice Kettle of MMU is aiming to connect us with PhD research around leadership in the craft sector ARC moved to the Hatworks in December and has invited NWCN members to a special opening and consultation to take place in March  

Building the case for the value of craft
  • We continue to work on out collective letter to educational policy makers from leaders in the NW Craft sector outlining the essential part that craft education plays in sustaining the Creative Industries and our social and cultural capital both in the short and long term. Following feedback from various people aiming to influence Educational Policy makers, we have decided on a change of tack and will be gathering the material into a succinct form and to link with the Craft’s Council’s Make Your Future campaign – to encourage grassroots change affecting the region. The team will meet to discuss this in early 2020  

Building infrastructure for collaborative work and resource sharing (joint projects and exhibitions)
  • Rebecca Hill of Gallery Oldham has gathered a working group NW touring craft showcase and collections visits are planned in 2020 
  • Several members are looking to create events that can be part of the Craft’s Council Year of Craft 2021, and we will explore possibilities for shared promotion. E.g. The University of Bolton is looking into running a symposium along the lines of the NWCN’s successful ‘Shaping the Future’ event held in 2016. This will be on the agenda of the March meeting
  • Sam Rhodes at The Bluecoat Display Centre, Nicola Scott of Liverpool Museums and Colin Simpson of Wirral Museums Service have worked together to successfully apply to the Art Fund for a grant to fund a project looking at reanimating craft within the collections, culminating in an exhibition in 2021 and an element of curatorial development which will allow sharing of information and outcomes with the wider Network. 
  • The Jerwood Makers Open will come to Manchester City Gallery in early 2020 and we are exploring the possibility of contributing to a curatorial development event to coincide with the event, in partnership with other organisations.  

Supporting a healthy craft ecology
  • The NWCN is vigorously participating in the Craft UK forum to increase connectivity and the flow of information between crafts organisations widely across the UK. We will be seeking to join a wider national group in the Craft UK Form that w ill take place as part of Collect in 2020

Wednesday, 30 October 2019

What the Network has achieved since its relaunch in April 2019


Intelligence exchange
  • There has been a lively exchange of research, inspiration and information.
    • From Craft exhibitions (Too many to mention all, but….., Alex Sickling at Manchester Craft and Design Centre (MCDC), Great Northern Contemporary Craft Fair (GNCCF) Sheffield, Pottery Pioneers celebrating  the positive impact of ceramics on mental health (ARC, Stockport), Go Eco, Adam Ross, Collected and Jane Adam at the Bluecoat Display Centre), the Festival of Making, Textile Biennial,  Activities at the MMU Marketplace Stockport, , The Great Northern Contemporary Craft Fair, Halima Cassell’s exhibition at Manchester Art Gallery, events and exhibitions at ARC Stockport 
    • …..to conferences and talks (Heritage Craft Association Conference, Why Craft Matters at Harewood House,  CERI (Cultural Education Research Initiative) Conference at Tate Liverpool, The Festival of Making, 2020 Textile and Place Conference)

Sharing members’ expertise and good practice
  • At our march 2019 meeting Jo Kay, an audience development specialist and NWCN member has shaped and delivered a session on ‘Audience Targeting for Craft Sales’ for regular members of the Network and wider contacts in the NW who might benefit.
  • For our September 2019 meeting three speakers presented on Craft and Well Being: Vicky Charnock, Arts for Health lead at Alder Hey Children’s Hospital and two case studies by Verity Pulford, a maker who completed a residency/commission at the Walton Centre about the impact on a maker’s practice and Jacqui Wood – Artistic Director of ARC (Arts in the Community) Stockport about the Pottery Pioneers Project/Craft with Mums with Post Natal Depression.

Building the case for the value of craft
  • We continue to work on out collective letter to educational policy makers from leaders in the NW Craft sector outlining the essential part that craft education plays in sustaining the Creative Industries and our social and cultural capital both in the short and long term.  The letter has been drafted and we have gathered responses from those in the section who will see and feel the impact on culture, employment and communities further down the line.

Building infrastructure for collaborative work and resource sharing (joint projects and exhibitions)
  • Rebecca Hill of Gallery Oldham has gathered a working group NW touring craft showcase. Additional galleries have expressed an interest. There is still the possibility of this being part of the Crafts Council’s Year of Craft in 2021 and have explored angles and themes. A collections meeting took place in Liverpool at the Walker Art Gallery. Several outcomes are possible, and Nicola Scott is preparing a draft proposal for a craft show in a showcase at the Walker for discussion by the programming team. Further collections visits are planned to gain an understanding what is in our collections that we could explore in a show.
  • The Jerwood Makers Open will come to Manchester City Gallery in early 2020 and we have explored the possibility of staging a curatorial development event in collaboration with MAG.

Supporting a healthy craft ecology
  • We generated and took part in numerous discussions about how to create a healthy craft sector from nourishing future creative to developing resilient leaders. For example, the Festival of making created business support events for makers.
  • We created a new logo (see above )to give the work of the NWCN a visual identity. Great Northern Events chipped in to support us to create a simple text based logo for members to use.
  • We put together some ‘Terms of Reference’ to aid new members to the group and to encourage free and prolific information exchange.
  • The NWCN is vigorously participating in the Craft UK forum to increase connectivity and the flow of information between crafts organisations widely across the UK
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Monday, 11 February 2019

What the NW Craft Network has achieved - Autumn/Winter 2018


Connections and ideas continue to flow for the North West Craft Network. Ideas, small and large, hatched in the early part of the year are slowly coming to fruit, and we are beginning to revisit more ambitious plans that were seeded in early years and we now have the firmer foundation to start to make these things happen.

Intelligence exchange
  • Research, exhibition invitiations and information exchanged widely.
  • Awards and opportunities for makers shared with Development Group and wider networks. As a result of connections made through the NW Craft network in 2014 Liam Hopkins was shortlisted for Arts Foundation’s Designer Maker of the year award 2019.

Sharing members’ expertise and good practice
  • Jo Kay, an audience development specialist and member of the network has shaped an ‘Audience Targeting for Craft Sales’ session for the next Meeting of the NW Craft Development Group (early 2019). This part of the meeting has been opened more widely to organisations who don’t usually attend the meeting but who sell craft.
  • Crafts Council launched UK Craft Network, and we’ve talked with their lead on this to see how we can connect our North West members into this national network, exchange information and ideas, best practice and advocate for North West craft.
  • ARC’s (Arts for Recovery in the Community) CPD programme for volunteers on their Pottery Pioneers project is underway and will engage Network members to train volunteers.

Building the case for the value of craft
  • A task group will meet in early 2019 to workshop a collective letter about the value of Craft to Education for circulation to educational policy makers.

Building infrastructure for collaborative work and resource sharing (joint projects and exhibitions)
  • The Network will revisit its plans for an outstanding NW generated Craft showcase touring exhibition at our next meeting in March. This follows on from initial research in the previous years of the network.
  • The Jerwood Makers Open will come to Manchester City Gallery and members are keen to get involved with collaborative projects. This will be developed at the next meeting.

Supporting a healthy craft ecology
  • Manchester Craft and Design Centre connected with the lead on the Greater Manchester Cultural Strategy and we will be exploring collaborations.
  • Inspired by discussions around nourishing makers of the future, Manchester Art Gallery has decided to put on another Future Creative Event in March 2019. Students will be invited to respond to the gallery's displays to make products for sale in the gallery shop
  • Professional coach and maker Victoria Scholes delivered the third of three business review days for residents and networks of Manchester Craft and Design Centre in January 2019.

Tuesday, 30 October 2018

North West Craft Network - what we've achieved

Here are just a few things the NW Craft Network has been working on in the last six months. Get in touch if you see anything that interests you, you can see a potential for partnership or something that you want to get involved with...

Intelligence exchange

  • Excellent NW Craft exhibitions - invitations shared, including Thread Bearing Witness by Alice Kettle at the Whitworth, The Other in Mother (with ARC) at Manchester Art Gallery), Eunmi Kim at Manchester Craft And Design Centre, The University of Bolton School of the Arts Commemorative Show, Kate Hayward at Manchester Art Gallery, Great Northern Contemporary Craft Fair, Alice Rawsthorn Lecture at Bluecoat Display Centre to name just a few.
  • Relevant Research exchanged. For example, research from Cockpit Arts about disruptions in the craft sector, The Crafts Council’s new video series ‘What’s Your Craft’, and Tom Sutton’s presentation ‘No Line on the Horizon’ summarising how current educational policy could impact on craft education and attainment in the future.
  • Awards and opportunities for makers shared with Development Group and wider networks

Sharing members’ expertise and good practice

  • An ‘Audience Targeting for Craft Sales’ session for organisations selling craftwill be offered by specialist Jo Kay at  the next Meeting of the NW Craft Development Group (March 2019)
  • Exploring the value of craft for health and wellbeing: Contact has been made with Clive Parkinson of The Manchester Institute for Arts, Health and Social Change to discuss potential speaks on craft and wellbeing for a future meeting. 
  • ARC (Arts for Recovery in the Community) are creating a development programme for volunteers that will connect with various Network members and their expertise and experience.
  • Manchester Folk Festival created a programme of craft workshops to complement their music, driven by Jo Kay and encouraged by network members.
  • Building the case for the value of craft : We’re preparing a collective letter about the value of Craft to Education for circulation to educational policy makers

Building infrastructure for collaborative work and resource sharing (joint projects and exhibitions)

  • Conversation is still bubbling away about making an outstanding NW generated Craft showcase touring exhibition happen. This follows on from initial research in the previous years of the NWCN 
  • Bluecoat Display Centre is talking with ARC about outreach programmes and funding opportunities and ARC’s contact with Bolton School of Art has lead to tutor Faye Power being offered an exhibition ‘Movement Maps’ at ARC Gallery in Spring 2019

Supporting a healthy craft ecology

  • Professional coach and maker Victoria Scholes delivered a business review day for contacts of Manchester Craft and Design Centre in August 2018. Plans are underway for a further day to be offered in January 2019.
  • Manchester Craft and Design Centre (MCDC) continues to look at collaborations that will build the scale, value and audience for craft. Currently they are working with Yorkshire Artspace. Future possibilities include Creative Lancashire, NESTA, Crafts Council and ARC.

Wednesday, 16 May 2018

The North West Craft Network is back in action!

After a between-funding break, the NW Craft Network is back.

We’re delighted to say that the Manchester Craft and Design Centre has been awarded some funding to pay for administrative support for the Network. This will allow us to meet and share information to help support contemporary craft in the North West.

More to follow soon, but for the moment we’re getting our data in order and sending out emails to ask if you want to stay in touch.

You can opt in to receive emails from us here

Monday, 27 February 2017

North West Craft Network - more news soon!

We're between projects at the moment while we work on a funding plan for our goals around bringing makers and Museums together; developing a top quality touring craft exhibition for the North West and incubating our amazing NW talent.

Watch this space for news about what next....

Tuesday, 1 December 2015

Seriously good Craft in the UK's North West this December

Natural Makers, Touchstones Rochdale
A host of seriously good Craft exhibitions and events that span pondering the meaning of art, making, material, process through to brilliant possibilities for Christmas presents. And making stuff. Enjoy...

You can also see and (if you're an organisation) add new events in our publically available Google Calendar here

Opening this month

Modern Japanese Design at Manchester Art Gallery. 4 Dec to January 2017. http://manchesterartgallery.org/


The Pilcrow: launch. More about the pub that Manchester built (or is building, to be precise) here 4 December. http://www.thepilcrowpub.com/

Little Northern Contemporary Craft Fair. Altrincham Town Hall, Market St., 
Altrincham
 WA14 1PG (NEW venue!) 6 December.
http://www.greatnorthernevents.co.uk/1082#.Vl1Te3tv6dE

Natural Makers at Touchstones Rochdale 12 Dec To 27 Feb 2016. Stuart Cairns, Laura Ellen Bacon, Adam Buick, Sharon Adams.
www.link4life.org/centres/touchstones-rochdale

Sculpting Stories at Gallery Oldham, including studio ceramics from their collections. 19 Dec to Summer 2016
www.galleryoldham.org.uk/

On now
Art_Textiles at the Whitworth. To 21 Jan
http://www.whitworth.manchester.ac.uk/whats-on/exhibitions/upcomingexhibitions/

Back to Black. Contemporary jewellery at Manchester Art Gallery - extended to 31 January
http://manchesterartgallery.org/

Jarred: Ceramics from the Collection is on at Touchstones. To Spring 2016
http://www.link4life.org/whats-on/touchstones-rochdale/exhibitions/2505-jarred-ceramics-from-the-collection

'All Wrapped Up' & 'Esben and Wolfe Screen Prints' The Craft Shop at the Royal Exchange Theatre. To 3 Jan at   www.royalexchange.co.uk/craft-shop

All That Glitters at The Bluecoat Display Centre to 16 Jan 2016 www.bluecoatdisplaycentre.com

Exploring Wonderland at MCAD to 14 Feb
www.craftanddesign.com

Coming soon
New gallery space opens in January 2016 at MMU MarketPlace Studios, Stockport. Keep an eye out here

Monday, 21 September 2015

Making the NW Craft Network a Network

Ever since the North West Craft Network got started we've wondered how to create a balance between working size and inclusion. Too big and we can't manage and afford meetings. Too small and we get loads done and can meet easily, but we don't represent the whole.

Anyway, we were discussing this in the NW Craft Network Steering Group meeting and Kate Day, the Director of Manchester Craft and Design Centre, came up with this way to think about it (see her scribble on the right):

From now on, what was called the NW Craft Network will be the NW Craft Network Development Group.

The NW Craft Network Steering Group will still be the Steering Group

Anyone who cares about craft in the NW is free to join the Network - and can join for free at the moment, although we might have to review costs if we are to be sustainable in the long term.

But for now, let's make hay while the sun shines and sign up for nothing. Network members will recieve news and updates about what's going on with craft in and around the North West, consulted by web polls and email about relevant issues and will be invited to any events that we organise.

We'll take a week or so to update our web info with our slightly tweaked identity, but in the meantime: Welcome to the North West Craft Network.

To sign up go here
More about the NW Craft Network

Tuesday, 30 June 2015

Inside the world of curating. A visit to COLLECT 2015



This was my first visit to COLLECT, the International Art Fair for Contemporary Objects. The North West Craft Network awarded bursaries to a number of curators in the North West, and I was one of the recipients.
The excitement built in the couple of weeks before as galleries which were displaying filled my inbox with information about the artists who would be showing at the Saatchi Gallery. An invitation to apply for the Craft Council’s Museum Purchase Fund also arrived, with the opportunity to bid for pieces from the fair which would be purchased by the Crafts Council.
I had three main aims from the fair:
The first was to solidify my ideas as to which artists I will shortlist for our Contemporary Art Society Craft acquisition later this year. I was still in the initial research phase for this and have been visiting as many exhibitions and artists as I can. COLLECT was a great opportunity to see work by some makers I am interested in, and of course, see work which I was previously unaware of.
The second was to meet some of the makers who are represented in our collection, several of whom I’ve had e-mail and phone contact with but have never actually met face-to-face – Natasha Daintry and Ann Sutton in particular.
The third was to meet other colleagues from across the country who are also working alongside makers.
The morning session was the private view, at which speeches were given by Rosy Greenlees, Director of the Crafts Council and Geoffrey Crossick, Chair of the Trustees of the Crafts Council. My highlight of this section was the announcement that Gallery Oldham was one of the three museums across the country awarded work under the Crafts Council Museum Purchase Fund. We were awarded ‘Patience Flower XXIII’, 2014 by Vipoo Srivilasa and ‘Journey Jar’, 2015 by Adam Buick.

The afternoon part of the Curator Day was key note sessions followed by two case studies of recent acquisitions with the Contemporary Art Society. The first key note was a really interesting presentation by Tulga Beyerle, Director of the Dresden Museum of DecorativeArts, in which Beyerle described working in a small overlooked museum in Germany. Beyerle’s museum had little in the way of twentieth century craft so she had decided to start from scratch with a twenty-first century craft collection. While the context in Dresden is really different from the context in which I work, there was lots to take from Beyerle’s presentation, and her pragmatism, commitment and enthusiasm was really infectious.
Next up was Alastair Hudson from MIMA who spoke about the challenges of ensuring that museums remain valued by the communities they serve, rather than merely being tolerated at best. He talked in detail about loads of really exciting initiatives happening in Middlesborough. There’s not space to go into detail about them here – but do go and have a look at their website.
Next came the two case studies from curators who had recently received funding from the Contemporary Art Society – Fiona Slattery Clark from Birmingham Museums and Katherine McClung-Oakes from Bury Art Museum. It was really helpful to me to listen to their experiences as I am at the early stages of my first experience of the process this year. 
So all in all, I had a really great time at COLLECT 2015 and learnt a lot. There was a real buzz around the show. It was exciting to see so many private collectors supporting the sector. I personally really enjoyed bumping into makers who I’ve only met recently like Michael Eden, and catching up with others like Halima Cassell who I’ve known for a while. It was SO brilliant to spend that much time in a space which was brimming with lovely, lovely things.
Rebecca Hill
Exhibitions & Collections Coordinator (Art)
Gallery Oldham

The NW Craft Network have a new website!

Katherine Lees, a resident maker at Manchester Craft and Design Centre We're delighted to announce we've updated our website . We...